Saint Jean de Montmartre – Anatole de Baudot

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Detail facade and porch

Saint Jean de Montmartre is a superb illustration of metal architecture and Art Nouveau.

Anatole de Baudot was a student of Viollet-le-Duc, the architect in charge of the restoration of Notre-Dame Cathedral, Saint-Denis Basilica and Sainte-Chapelle.

He studied also with Labrousse, who was a student of Baltard, the architect who designed Les Halles.

Baudot followed in the steps of his renowned mentors and developed a passion for metal architecture!

He also found inspiration in oriental architecture, which he discovered during the Universal Exhibition of 1900.

Saint Jean de Montmartre was built between 1897 and 1904.

 

A superb illustration of metal architecture

It is the only Parisian church in reinforced cement mounted on a metal frame!

The most famous example of this experimental architectural style of the 1900s is the former railway station Gare d’Orléans, which today houses the Orsay Museum.

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Visible metal frame and gallery

However, metal architecture was not to everyone’s taste in the early 20th century!

Saint Jean de Montmartre was therefore threatened of demolition; the reason invoked was “unorthodox construction methods”.

Fortunately the opponents to his project lost the case, and the work resumed.

Saint Jean de Montmartre was completed in 1904 and became the parish church of the Qaurtier des Abbesses four years later.

It is true that Baudot met a couple of major structural issues, such as the smallness of the plot and the fact that the crypt was located 10m below street level.

However, he solved these issues by building 26 reinforcement pillars in order to anchor the building 12m deep into the ground.

He also used reinforced cement and brick in order to strengthen the building’s structure.

Finally, he added an interior metal gallery that runs all around the edifice in order to prevent any movement of the structure.

Saint Jean de Montmartre – A masterpiece of Art Nouveau

Saint Jean de Montmartre can be quite deceptive from a distance.

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White marble angel statue by the entrance

However, as you come closer you discover a wealth of elaborate architectural and decorative features produced by best artists of the time!

The church’s distinctive red brick facade is adorned with geometrical mosaics and the porch framed with two bronze angels.

Two other angels in white marble, sculpted by Guéniot, hold the fonts located by the entrance, inside the church.

You discover more low reliefs and medallions from this artist as you walk through the church.

The silversmith Goudji created the baptismal font using stone, bronze, silver and jasper.

The interior of Saint Jean de Montmartre is a perfect illustration of metal architecture at its best; a light yet strong structure adorned with geometrical, but intertwined volutes and friezes.

The theme of the decoration is based on the writings of St-John – The 4th Gospel and the Apocalypse.

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Murals depicting the Way of the Cross

The reinforced cement walls are covered with plaster in order to allow for the decoration; impressive murals and canvasses adorn the nave and the chancel.

The elegant pillars are adorned with patterns of vine leaves and branches that evoke the phrase from St-John’s Gospel:

“I am the vine you are the branches”.

The Chapelle de la Vierge was decorated after WWI with a mural depicting the marriage of a Soldier of the Great War.

Baudot designed the unusual altar.

The reinforced cement base is adorned with blue and grey lozenges that were produced in the workshop of the ceramist Alexandre Bigot.

Four medallions, depicting the symbols of the Evangelists, adorn the upper part of the altar.

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Baudot’s altar

You will find Matthew and the Angel, Luke and the Bull, Mark and the Lion and John and the Eagle.

This last theme is also found on the decoration of the pillars, among the vines leaves and branches.

Saint Jean de Montmartre boasts stunning original Art Nouveau stained-glass windows.

Their decoration is once more based on the theme of St. John’s Gospel and the Apocalypse.

Their rich colours shed a warm light into the church.

Forty-eight curvilinear windows, depicting the Virgin’s Litanies, are placed all around the church.

All stained glass – but the Crucifixion by Tournel – were produced in the workshops of Jac Galland.

The renowned organ maker Cavaillé-Coll built the great organ in 1852… but for another church located in Lyon!

The instrument was transferred to Saint Jean de Montmartre in 1910; it was enlarged in the 1920s and the 1930s.

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Curvilinear stained glass windows

It was then renovated a first time in 1979 and a second time ten years later!

The crypt contains some interesting paintings, but is not open to the public.

Saint Jean de Montmartre will delight the fans of Art Nouveau!

As you leave you’ll discover a bust of the architect Baudot outside the porch, to the right.

More photos of Saint Jean de Montmartre

  • Saint-Jean-de-Montmartre-Church-interior-metal-structure
  • Saint-Jean-de-Montmartre-Church-organ
  • Saint-Jean-de-Montmartre-Church-small-altar
  • Saint-Jean-de-Montmartre-stained-glass-by-Galland
  • Saint-Jean-de-Montmartre-stained-glass-Crucifixion-by-Tournel
  • Saint-Jean-de-Montmartre-stained-glass-window-
  • Saint-Jean-de-Montmartre-Church-facade
  • Saint-Jean-de-Montmartre-Church-porch
  • Saint-Jean-de-Montmartre-Church-Bust-of-architect-Baudot
  • Saint-Jean-de-Montmartre-Church-memorial-plaque-WWI-soldiers

Directions: 18th district19 rue des Abbesses
Metro station: Abbesses on Line 12

Coordinates and map Saint Jean de Montmartre: Lat 48.884365 – Long 2.338225